We screened our last short "Enough" at Blackbird Film Festival last year and really enjoyed it. Christina knew she wouldn't make this year's deadline with her new short "The Gaze," so she submitted "Night In” (shot just a couple months before “Enough”) and we’re excited to say it got in! Screening on April 27th.
Over the weekend, we shot on our newest horror short, "The Gaze."
Logline: An actress is repeatedly catcalled on her way home from a shoot until just the right guy comes her way.
I wrote the script back in June, 2017. I don’t actually remember writing this script. It’s funny, I have a very good memory and can usually remember exactly where I was and what I was doing when writing. I can basically see myself doing it. But this one seems to escape me, for some reason. I do know that I wrote it in one sitting, and presumably late at night, as I tend to do. And I know I had been catcalled recently (maybe that day), which wasn’t exactly something new; and I was having a bad sleep week (I tend to go through cycles with my insomnia); and I was in the midst of my latest rewatch of my childhood favorite “The Twilight Zone” that month (watching the less common episodes I didn’t remember as well); AND I was hoping to have something for an upcoming writing group session with Kelsey & Ryan because I had been so focused on About a Donkey production & then post that I was ready to take on something fresh. What came out was a meta horror with a kind of “Tales from the Crypt,” even “Goosebumps,” feel. It’s a pretty short short, definitely under 10 minutes (it’s 7 pages), but a lot happens in a short amount of time. I worried it was maybe too convoluted from being rooted in a lack of sleep & catcall-induced rage. But Kelsey & Ryan loved it, especially the qualities about it that made me fear it was too convoluted, as did Nicole of 4milecircus, who later came on to co-produce the film.
I originally set out to shoot it last Fall, but delays with finishing up About a Donkey and general travel for work forced me to push it back. I, then, rescheduled for May 2018, but again had to push back due to work travel (which actually was for the best because it made room to push up Kelsey’s & Ryan’s short films that I was helping produce). Finally, mid-September was a go. I finished casting the film over the summer (there’s one main character but quite a big ensemble), and lucked out with having enough existing talent in my circle to offer friends and/or IndieWorks acquittances most of the roles. Only 3 out of 8 key roles were actually auditioned. The 3 new players were all excellent (both in skill & to work with), and I’m so glad to have them as part of the go-to team now.
We shot over two days. Saturday was on Long Island, thanks to extended family loaning a garage for a set I had the most difficult time finding at first. We had 18 people to commute that day, and about 9 hours to pull off a minimal dialogue, but heavily visual scene. It was my first time trying out some stuff I've never done before, like shooting for advanced VFX. (It's also my first time dabbling in scfi, except for maybe "Hello," my sweet, and soulful (get it?), and sometimes spooky short from 2016. (Its genre is debatable.)) Overall, the day was incredibly smooth. The camera & lighting crew created & captured utter beauty. And the performances where so powerful. I’m extremely excited about that footage. We got everything we needed and got everyone to & from Long Island within a 12-hour day.
On Sunday, we shot in my apartment in Queens. My place gets a lot of natural light, and we had to light the whole space as if by moonlight. So, lighting ate up some of the day, especially because the color tone & shooting style needed to change depending on what room and/or what scene we were in (maybe now you’re feeling the reason I worried it was too convoluted, haha). We also had some action & stunts to pull off, as well as a block & a half long tracking shot with a lot of moving pieces in one take. It was a real challenge; definitely a fun one, and was incredibly satisfying when we finally got it - but it did take 14 takes to get. And it resulted in a full 12-hour day when I hoped to wrap people a bit earlier. Overall though, it was another huge success and I’m so happy with what we all made together. Fully creating & capturing the nuanced tone of legit creepy with a touch of campy, and overall fun & satisfying, is key to the success of this short and a puzzle I’m looking forward to putting together as Matt and I get into the edit next week!
See behind the scenes:
Normally, I’d share some Stills, but I worry the BTS is already spoilery enough. So for now, I’ll keep the actual footage under wraps. But here’s a look at a shot with some title design I’ve been testing out.
Thank you to:
My mom, Marlene, for catering & driving everyone to set.
My stepdad Jay, and stepbrother JJ, for building a giant wooden prop for the film.
Extended family Joan & Larry for letting us shoot in their garage and just generally take over their property for a day.
Justin, my husband, for clearing out of our apartment (and being the most supportive partner always).
Nicole Solomon, who produced through pre-production & on set, and Sean Mannion, who advised on how best to shoot for the VFX that he’ll pull off in post; co-owners of 4milecircus. Rent their gear!
Jeanette Sears, for being a brilliant cinematographer & collaborator.
Matt Gershowitz, always the best right-hand person as AD on set & Editor in post.
Kelsey & Ryan, for advising on the script early on & supporting through the process, as always. And specifically, Kelsey for taking great photos & stepping in as an extra when needed, and Ryan for taking such thorough & thoughtful notes as script supervisor.
Adnan Malik, our Gaffer for both days, and always a great guy to have on set.
Christina Remly, who joined us for the first time as our 1st AC and was just excellent. She pulled focus like a champ.
Bradley True, who not only expertly recorded sound, but stepped in as two roles in the film, as well!
Kim Barnes, our Art Director, who was super attentive and on top of things (all the more impressive as it was her first time in the role), and who stepped in as an extra when needed.
Julia Berkley, who effectively pulled off double duty as a Grip & stand in.
Rashida Bolden, who made a fake corpse look so good & legit (despite fighting a cold), and her helpful assistant Anastasia Samoylova.
Our great Co-Gaffer Brandon Lee, who joined us on set for the first time for Day 2, and our resident IndieWorks videographer Kim Drew Whiten, who was our 2nd AC for Day 2.
And our absolutely phenomenal cast: Matrika Hay, Jason Zednick, Latresa Baker, J.B. Rance, Dani Thomas, Maya Jasmin, Alexander Alvarez, Miranda LeeAnn, and Anthony Rojas Jr.
Couldn’t have done it without any of them!