Award/Festival News

YoFiFest Recap

Last weekend was our About a Donkey screening at YoFiFest. It was my first time screening at the festival. I decided to submit because a few filmmaker friends recommended it as a festival with a nice & supportive team, and as one close enough to the City to not be a bad commute, but far enough that it may attract locals in a way that most City festivals have a hard time doing. I figured we’d get a nice sized crowd, since there doesn’t seem to be too much going on in Yonkers regularly, particularly in the arts. Unfortunately, though, that wasn’t the case.

I’ll start with the good. The festival directors were really organized and communicative leading up to the festival. I found them and the overall staff to be nice and welcoming on opening night, where there was a great party with free food samplers from local restaurants and an overall filmmaker-friendly vibe. Opening night had a solid turnout of maybe 100 people (of what seemed like a decent mix of filmmakers and non-filmmaker locals). The 3 shorts that screened and the feature were all well done, and showcased in a nice theater space. Overall, from what I was able to see from the programming, I think they have good taste with a nice mix of true indies and only a couple higher profile invitationals. All of their venues are within walking distance from each other. The Q&As are thoughtful and well-run. And the Fall foliage in Yonkers is definitely a sight to see, which makes visiting the area via a scenic train ride from Grand Central not bad despite there not being too much else to do or see in the general area of where the films screen.

Now for the not so good. Aside from opening night, plus the high profile features with celebrities and the couple local features shot in Yonkers, the attendance was very low. Most features, such as ours, averaged 12 people in the audience, including the filmmakers. Some fared worse than that. And even the shorts blocks; while having 35 to 40 people in the audience is by no means bad, it’s not great when considering the blocks featured 10 to 12 films each. I was surprised because the festival presented itself as having strong recognition in the community; but I attended enough screenings (and inquired about others from other filmmakers) at each venue at varying times of day, and found that, for the most part, it was just filmmakers and friends/family of filmmakers in attendance, with small exceptions here & there.

Our screening was the first full day of the festival, 12pm on Saturday. I wasn’t thrilled with the time because it meant not having much time to build any buzz with locals. And I was skeptical about how many people would go see a movie at that time on a Saturday. However, after our wonderful experience with the Adirondack Film Festival 2 weeks before, I’d realized you never really know what a good timeslot looks like. It all depends on the local community. So yeah, I went in to our screening with mixed feelings. The venue was small but nice; seating about 40 people with a good screen. I hoped it’d be almost full; but by the time it got rolling, we had 5 filmmaker friends in the audience (all there for their own screenings and thankfully came out to see ours first), plus 4 locals, including a man I met the night before who had come from further Upstate and was a friend of the festival directors. I was thankful he was intrigued enough by our title when we spoke at opening night that he chose to come back to Yonkers to see the film. And then it was me and Katherine (plays Ann in the film), plus Ben (plays Burgh in the film), who surprised us along with his brother right before the screening. A total of 13 in the room. As I said about our not-great Buffalo experience, I’m always grateful when anyone chooses to see our film; so it’s awesome that we even had 4 strangers there (and it’s lovely that our friends were interested in seeing our film enough to come to Yonkers early to support). But after our Adirondack experience where over 100 total strangers from the community came out for our film, I couldn’t help but be disappointed by the low turnout. That is until the film started…

A short film screened before ours and I noticed that the dialogue was muffled. I didn’t know if that was just the quality of the film or if there was something off about the speakers. Then our film started and it sounded equally muffled and very bassy. I had an internal freakout (though was suddenly grateful the room wasn’t packed). The tech in back managing the levels didn’t seem concerned, so I wasn’t sure what to do. And the dialogue was kind of just clear enough to hear that I wondered if it was simply the quality of the speakers and not something that could actually be fixed, so I wasn’t sure if I should say something or just accept it as the quality of this venue. But after 5 minutes or so, I couldn’t stand to listen to it like that anymore and left the room. I found the technical director in charge of the venue and talked to him about it. He went in to listen, then came out and definitively said it’s not supposed to sound like that. That was a relief, but also a disappointment because the movie was already underway. The co-festival director Dave showed up and went through the screener files and inspected some stuff in back while the film was still screening, and he eventually came to the conclusion that he had mis-wired the speakers that morning. Dave gave me the choice to pause the movie and have them bring the lights up, try to figure out how to correctly wire the speakers, and then pick it up where it left off. But at that point, the movie was nearly 40 minutes in. I felt that, if by chance people were actually engrossed in the film despite the audio, it didn’t feel worth it to interrupt it and go through that hassle, especially if there’s no guarantee they’d be able to rewire it correctly. So, we just let it play out. I sat in the hall cringing and then eventually went back in the room for the very end. I can’t speak to how the film was received during the screening. But Katherine said there were still a decent amount of laughs because the dialogue was overall understandable, just very hollow sounding (though there was apparently one key scene where overly bassy music combined with the muffle made the dialogue nearly impossible to hear). I guess I’m grateful I didn’t hear it and can choose to believe others’ comments about it being “really not that bad.”

All that said, no one walked out of the movie, which is either a testament to the politeness of this group of people or maybe the overall enjoyment of the characters and story. To be honest, I’d probably have to walk out of a dialogue-driven film that sounded like that, even if I liked aspects of it. I just found it painful to sit through, not only because I knew my movie doesn’t/shouldn’t sound that way, but the heavy bass was truly hard on the ears. Despite that, to my surprise, people seemed to genuinely enjoy the movie. Filmmaker friends came over after the Q&A to compliment the production design and color scheme (I share that compliment with DP Peter Westervelt & Art Director Nicole Solomon), the authenticity of the family — both from a visual perspective as well as acting & chemistry, and the overall way the ensemble stories were weaved seamlessly together. People called it sweet and charming, and a really fun and relatable family dramedy. The locals in the room had great inquiries and thoughts during the Q&A, which can be watched below. Getting to speak with them made me feel a bit better.

After the screening, the technical director was able to rewire and fix the speakers. I’m glad I was able to save other filmmakers from my experience (my friend’s feature in the same room the next day sounded great), but I wish they had done a tech test after they set up the room that morning before jumping into the day. I’d be lying if I said I wasn’t annoyed & disappointed that that wasn’t done … and that no one seemed to notice during the 2 hour block that happened in the room before my screening.

Patty, the festival director, was really apologetic. I can tell she works hard to run a smooth ship, and she was really frustrated that such a major ball was dropped. She tried to make it up to us by offering us another screening. I appreciated it but ultimately turned it down because the only people we knew attending the fest had already experienced it at the first screening, and, considering the turnouts overall, I didn’t have faith in the festival attracting any locals with a last minute screening. I figured I’d just end up sitting alone in an empty room whereas a local filmmaker with friends & family in Yonkers would probably appreciate the extra slot far more.

All in all, I like the people who run the festival despite their mess up (tech issues happen with such a big operation sometimes, I get it), and I really enjoyed the conversation with & reactions from the few locals at our screening. And, ultimately, I had a really good time at the festival because it gave me a reason to spend a bunch of time with Katherine, who’s just such a great person and movie-viewing partner (though that’s really more to the credit of our friendship than YoFiFest specifically), and get to see Ben and meet his brother (though only briefly, unfortunately). But, aside from those pros, I don’t think the festival has too much to offer someone not from Yonkers. Without local community engagement, I feel I essentially reach the same people (filmmakers) I’d reach at closer festivals in the City; and I can get the upper NY Fall foliage fix from the Adirondack Film Festival (along with all the other perks that that festival offers). So YoFi doesn’t make my personal list of top festivals worth attending. But maybe, as they continue to grow and gain a foothold in the community, it could be worth it a few years from now.

-Christina

Local Vegan Treat:

  • Yonkers is not vegan friendly (another con). This is the first time I have nothing to report.

Catch the film next at:

  • We have a January screening in Montana & a February screening in California, but we can’t announce those festivals yet. Stay tuned!

Adirondack Film Festival Recap

We just wrapped up an AMAZING weekend in Glens Falls for our About a Donkey screening at the Adirondack Film Festival. It’s a newer festival in its 3rd year that I had honestly not heard of until a few months back. A filmmaker friend told me that they had a great time at the festival the year before, so I decided it was worth the low-ish submission fee to give it a shot with our feature. I’m so glad I did because it is now on my personal list of top film festivals, for sure. There are a few reasons. First, they were extremely organized & communicative leading up to the festival, and overall had a really filmmaker friendly vibe. They also stood out right away because they created a distinction between their high profile feature invitationals (which they called headliners) and the truly independent features in competition that came in via submissions; something festivals so rarely do (blog post on that coming soon). Then they offered all filmmakers one free hotel room during the festival, which is also very rare, especially for ALL filmmakers. And on top of that, they gave us a code for free Uber rides to & from the main venue. So, considering the perks and overall very open & honest approach, I had a good feeling going into the festival. However, I didn’t expect to have as phenomenal a time as we ended up having. 

For one, everyone part of the fest knew who we were right away and made an effort to make us feel included and taken care of the whole weekend. And something incredibly unique & creative is that they had local artist Anthony Richichi create pieces of art inspired by each film with a filmmaker in attendance. Anthony was happy to meet us; he told us he loved our film, and showed us the art he made - which he said was inspired by two moments in the film that really stood out to him. We feel he captured moments that definitely embody those two characters and tend to get good reactions from the audience at screenings. It’s such a cool thing he and the festival do, and it really shows how they make every individual filmmaker feel seen and appreciated. 

And then there’s the audience! For such a new festival, it has some serious community support. So often, especially with a feature, it’s a struggle filling a screening. It requires a lot of networking with the other filmmakers at the fest, hoping that they’ll choose to see your film instead of whatever other films or blocks conflict with it, and promising you’ll do the same for theirs. It can be good for film-community building, but it can also feel salesy and competitive. We’re all film fans, as well as film makers; but I don’t think I’m alone in saying that I don’t want the only people at my screenings to be the other filmmakers with work screening at the festival. I love the ways we can support each other, but festivals should be a way to also reach non-filmmakers in their hometowns. Getting one’s work in front of general audiences will always be the dream, but so few festivals actually create that access & engagement. This festival, though, somehow manages to do it! The locals were genuinely excited about the festival’s existence in their town, and they really came out to discover new films and filmmakers. Of course, we did network and make new filmmaker friends too, but the festival didn’t have that pressure of selling your screenings to each other in the way others do. We all just got to pick what interested us most, and show up where we could, when we could.

So, having witnessed the high local turnout at opening night, we were very eager to see what ours would be like. We were a bit skeptical of our 2pm on Friday timeslot, but the 12pm feature screening before us had over 50 people in attendance; and the vast majority seemed to be locals, completely unfamiliar with the film or filmmaker. That got us excited for our own turnout! And it only got more exciting when we saw the staff needing to add more chairs for all the new people coming in for our film! We ended up with a full house of 77 strangers in attendance. There was one filmmaker friend who came to support, but all the others were not only locals to Glens Falls, but seemingly not filmmakers at all. They were exactly the kind of people we wanted to reach, individuals outside our network or usual reach who appreciate independent art but probably wouldn’t seek it out on the kinds of indie platforms our work would later be distributed on. As for the screening itself, the venue was beautiful and the film looked incredible in the space. The film got a lot of laughs. However, there was one negative aspect of the experience; there’s a moment in the film where two women are on the verge of a romantic (but not sexual) moment, and an older woman in the audience got up and walked out with her two young grandsons. And then a kiss happens in the film between those two characters, and another elderly woman shot up out of her seat and walked out at that exact moment. We were definitely disappointed by those two reactions. It put a bit of a downer on the experience for us; but only for a moment because, as soon as the credits rolled, we had people surrounding us with compliments. A woman shouted, “what a beautiful little film” as she exited, and others told us they loved it and that they would vote for us for audience choice. An elderly man, who’s a demographic we thought least likely to identify with our film, chatted with us the longest, asking us questions about the filmmaking process and complimenting us on how strongly the story came together and touched the audience. We were riding high after that, and enjoyed the rest of the day, taking in more screenings (all of which were extremely well attended by locals), and enjoying the filmmaker party that evening. 

On Saturday, we watched a bunch more of the excellent content (programmed by the lovely Programming Director Jessica Levandoski), including films by existing filmmaker friends in attendance. One of my favorite things about the festival, too, is that the thematic shorts blocks were heavily curated and very short. None went over 70 minutes, which I think is perfect. So often, shorts blocks go on for so long without a break, and films don’t get their deserved processing time. I think the scheduling of the festival was really efficient. My only complaint is that they don’t do Q&As. On one hand, I get it & appreciate it for the fact that more films could be screened and people could get from one venue to the next (all 5 were in walking distance) without missing the beginning or end of films. But as a filmmaker, I think a lot of the satisfaction of discussing your work with an engaged audience is lost when there’s no designated Q&A time. We had some great conversations with people who had time to stick around, but I do think we would’ve been able to get more feedback and build relationships with people who’d take an interest in future work if we had the platform to discuss the film in an allotted amount of time immediately after our screenings. That said, I think the festival did an excellent job of facilitating conversations with the local attendees at the evening parties. I’d love to see more balance there in the future, maybe even just 5 minute Q&As for the single screening feature blocks.

Anyway, at 6pm, we had our second screening (another perk of the festival was that all films screened at least twice), where we were put in a smaller venue at the hotel (still looked & sounded excellent) with 40 seats. We had 36 people in attendance. Four were filmmaker friends but all others were locals. It seemed that the Saturday screenings overall were less attended than Friday, and ours was considered one of the bigger crowds of that day. But even so, I didn’t see a single screening with less than 20 people (which was such a refreshing change from our last festival experience). Not to mention, every screening had 4 other screenings happening at the same time. The fact that all were decently attended is seriously impressive. (Trust me, I attend a lot of festivals for work. It’s legit amazing. Only matched, in my experience, by NCGLFF.) Our film, again, got great laughs. And no one walked out this time! Afterwards, many people told us they loved it as they exited. One woman was on the verge of tears and said “thank you for making me feel so good,” which nearly made us cry. Our filmmaker friends complimented how we created “such vivid characters … and so many, in such a short amount of time,” and how much “the family felt like a family,” and they appreciated how well we “built up the sexual tension in the main romance so that it all really paid off.” All lovely comments. An older woman came over to us and said “now, I have to say, as someone over twice your age, you really showed me your world … and it’s not my world, but it’s yours … and all of that is so normal, and that’s just great … and I loved it. Thank you for sharing it with me. And I’m so glad girls made one of the best ones!” It was such an unexpected and sweet comment. We had to decipher it a bit, but we assume she was trying to make a positive statement about the way we presented our queer and interracial relationships in the film as just existing without any drama or needing to label them. And it’s cool that she deemed our film as one of the best she had seen! Also, again, an older man who we wouldn’t expect to come over to express feelings about the film came over and asked what inspired such a creative story, and then told us we did a great job and he really enjoyed it. It was so wonderful having people come up to us with curiosity and appreciation. So few festivals manage to create and capture that kind of engagement (especially when there’s no Q&A or pressure on them to say anything to us at all).

The Adirondack Film Festival is really special and will definitely be a staple on my submission lists moving forward. I recommend you check them out next year; even if you don’t have a film screening - it’s in a sweet & scenic town with beautiful Fall foliage, and the festival has overall very worthwhile programming!

-Christina

Local Vegan Treat:

Catch the film next at:

  • YoFiFest, November 3rd at 12pm.

  • We have a January screening in Montana & a February screening in California, but we can’t announce those festivals yet. Stay tuned!

P.S. As I was typing this, I received a super sweet message through my website. See below <3

Screen Shot 2018-10-21 at 9.37.14 PM.png

Buffalo International Film Festival Recap

Last Sunday was our Buffalo International Film Festival screening of About a Donkey; and my wonderfully supportive mom Marlene drove Kelsey & me up to spend the weekend experiencing the festival together.

IMG_8623.JPG

We arrived Friday evening and were able to catch 2/3 of an Episodic Comedy block before settling into our hotel. We spent Saturday exploring the area, including the lovely Albright-Knox Art Gallery, and catching as many screenings at the festival as we could. I’ll be honest, I was surprised by the low turnout for all the screenings. Other than a shorts block of many local films, the average screening had 15 people. A high profile invitational at the main theater had 30ish people, which was low but ok; however, two other feature innovationals from Tribeca and SXSW had only 10 or 11 people. One was even the Saturday night feature! And a shorts block of 7 films late Saturday night had just 7 people in attendance. It was seriously surprising. For a festival in its 12th year, and the main festival of a City with not too much going on that weekend (except maybe football), I expected more local turnout. The festival seemed well advertised around town with posters everywhere, but I noticed the festival director was vocal about his disappointment with their local press not fully coming through on their promotion. And I think another issue was venue distances. The bigger name screenings or local screenings got featured in the beautiful North Park Theater, which is where badges were picked up, as was where the step & repeat was with red carpet coverage. I think the average local attendee assumed most, if not all, of the festival took place at that venue - so they just stuck around there. But there was also Hallwells, a nice but small event space across town. It was a 17-minute drive away and definitely not the flashiest of venues. Many of the screenings we attended were there because our NYC-based friends were programmed there (as were we), but I think most non-filmmaker attendees never stepped foot in there unless there was something very specific they wanted to see. Even we wanted to catch more screenings at North Park, but the timing between screenings and the time it took to get between venues rarely made it possible. So, I assume most locals didn’t bother going the extra mile to catch the content at the secondary venue even if they knew about it.

Going into the screening (2pm on Sunday), I was feeling a bit disappointed for two reasons. One, the low turnout I’d been seeing overall throughout the last 36 hours we’d been at the fest. And two, the film had been marketed by the festival as a drama. I think the film is definitely a dramedy, but definitely not a straight drama. The festival had changed our synopsis and specifically called it a drama in all their promo despite our labeling it a comedy. I figured that’s how they see it, but it was a bit odd for us because it’s not how we see it. The film is heartwarming & sweet, not particularly edgy, but there’s an intentionally offbeat quality to the film. It has an inherent quirkiness that I think either an audience wants or they don’t. We delve into some serious & sometimes dark subjects, but always in a heightened, humorous way. We try to be clear that it’s not slapstick or Hollywood blockbuster kind of comedy, but it’s definitely intended to be funny with a lot of dry wit meant to make you smile, if not straight up LOL. So, I think, anyone walking in to a screening expecting a drama would be a bit turned off when they find that the dialogue’s kind of constant banter and the plot never gets particularly dramatic.

And so, as expected, we ended up with 9 people in attendance (not including the 3 of us). Three of them were filmmaker friends with films in the festival, but the other 6 were locals and presumably non-filmmakers. That aspect was cool; and at the end of the day, I’m grateful when anyone shows up. So that was definitely a treat — to have 6 total strangers take an interest in our movie. But it was a bit uncomfortable; as Kelsey & I had been spoiled by nonstop laughs at our past 3 screenings and hearing rave programmer reviews in North Carolina or lovely comments from fellow writers about how well we pulled off smart comedy in Austin. This screening had a few chuckles here & there, but otherwise it was crickets. I also think, because this festival chose to downplay the LGBT inclusion of our film (not sure why because they’re definitely queer friendly overall), I think the non-filmmakers in the audience (who were mostly on the older side) were a bit taken aback by the inclusive nature of the film. Overall, I think they didn’t know what they were walking in to in various ways. So, it was interesting to say the least. That said, they all stuck around and were really nice to us afterwards. And one woman, who I believe chose our screening because of our facebook ad targeting, seemed to have really enjoyed the film as a whole and even signed up for our newsletter. So that felt like a triumph alone. 

Watch our Q&A video:

Overall, the picture and sound quality of the screening space were solid, and the festival director and staff were all really supportive and truly nice people. But I found the festival venues too spread out to really have a strong community feel amongst filmmakers; and the lack of local turnout was just disappointing. I’d be curious to hear how past years went for filmmakers. Maybe it was just an off year? In any case, I’m grateful to have had the film programmed, especially in a lineup of so many prestigious invitationals. (I appreciate that they do program from their submissions somewhat instead of inviting ALL features like so many other festivals out there (blog post about that coming soon)).

At the end of the day, it was really fun spending time with Kelsey & my mom, exploring a new City, and meeting a few other filmmakers at the festival. I’m glad we made the trip. Plus, we got our first official review (that we know of) out of the screening, via The Film Stage. It spoils pretty much the entire plot, so read at your own risk. I’d say it’s overall favorable. Interestingly enough, our B- rating from the writer was actually a compliment because most others he reviewed at the festival got the same or lower, and only one got a B (the highest he gave). So, for such a tough critic, I’m pretty happy with his assessment of the film. And I’m, of course, grateful that he even made the time to watch and engage with it so thoughtfully.

-Christina

Local Vegan Treat:

  • I was disappointed that Fry Baby Donuts was closed all weekend. They’re apparently all vegan and amazing. But I tried a piece of vegan biscotti at, horror-themed & meat-free, Grindhaus Cafe. It was good!

Catch the film next at:

Austin Revolution Film Festival Recap

Our About a Donkey screening at Austin Revolution Film Festival was this past weekend, and it was an overall great trip & festival experience.

The festival started Tuesday evening, but I didn’t arrive until Thursday afternoon. We decided to make the Austin trip a full (film)family affair, so my husband Justin came along. He spent Thursday evening catching up with friends who recently moved to Austin, while I went to the Filmmaker Mixer, joined by About a Donkey cast member Alexandra Clayton (who also flew in for the festival). We mingled a bit with new faces, but spent most of the hour catching up with each other (Alexandra moved to LA shortly after we wrapped production in 2017), and with a few filmmaker friends I’ve met at festivals in the past. It was a fun night at the Alamo Drafthouse, where we watched that night’s screening of one trailer, a music video, 5 shorts, and a feature — over a 3 hour block. It was a long lineup for one sitting, but mostly compelling enough to warrant the length.

That night was, unfortunately, the last screening at Alamo Drafthouse. It’ll admit, it’s a bit disappointing that only 1/3 of the films got a chance to play at their fullest quality in that venue; but I do appreciate the festival trying to squeeze in as many there as possible. The festival director explained that their weekend conflicted with Fantastic Fest (Alamo Drafthouse’s own resident festival), and as a truly independent festival that doesn’t allow the industry and celebrity to dictate what they program, having all of ARFF hosted at the theater just wasn’t an option. I totally get and respect that.

Friday and Saturday moved to the Crowne Plaza hotel, where two rooms where converted into theaters, along with a third space for panels. I’ve been to a few festivals held at hotels and have mostly experienced poor screening quality and non-stop tech issues, so I was a little wary of this one. However, ARFF clearly put in the prep work to make sure the spaces felt as much like theaters as possible. And while the picture and sound didn’t have Alamo Drafthouse crispness, there were no tech disruptions that I encountered throughout the fest.

Having arrived late Thursday night, Kelsey & her fiancée (and CongestedCat collaborator) Dani Thomas, joined me & Justin for breakfast Friday morning. Matt and About a Donkey actor Katherine Wessling flew in that morning, and met up with us, as well. (Like I said, full film-family affair.) As our first time in Austin, we tried to balance sightseeing, eating all of the things we could, and film watching/supporting as much as possible. We spent the first half of the day walking around South Congress street, taking in the artsy area of the city.

IMG_8132.jpg

Our screening was then at 3:30pm. I’ll admit, this wasn’t a great slot and we were worried we’d have a low turnout. And, unfortunately, that was the case. I do understand that finding a good fit for everyone isn’t possible in a lineup of 150ish films. However, our 5 local friends really wanted to attend but they all had work. If our slot had been just 2 hours later, they could’ve made it. So, though I understand, I’d be lying if I said the slot wasn’t a bummer. I’ll also say that, after our North Carolina Gay & Lesbian Film Festival screening, we were maybe a bit spoiled by how embedded that festival is in the community & how much of a local draw it has. So, our standards of a successful screening for this film had maybe skyrocketed since our Georgia screening. We did some targeted ads on social media for NCGLFF, but our over 100-person audience was really the benefit of that festival’s reach. So, we had high hopes for this festival; not to that degree but we thought it’d have at least a bit of a general public following, as well. That doesn’t seem to be the case, though. We ended up with just 27 people in the crowd (not including the 7 of us and the 4 filmmakers from the 2 shorts that screened as part of the block). And while I am absolutely so appreciative of the fact that other filmmakers came out to see our film, I was really hoping to get some local, non-filmmaker attendance. Our mission with the film is largely to reach people and generate some conversations; maybe even open minds a bit towards empathy & acceptance. It’s a big part of why we’ve been targeting bible belt areas through our festival submissions. So, to not have anyone in the room that wasn’t a filmmaker with a film screening in the festival was a small letdown. That said, the response from the crowd was truly wonderful. They laughed (someone even told me they cried at a sweet moment), and all had lovely comments during the Q&A and for nearly 30 minutes of chatting afterwards. I’m so honored they chose to see our film, especially since there was another block and a panel happening simultaneously.

After the chatting wrapped up, we decided to go out for celebratory drinks. Then, we explored downtown Austin (and by explored, I mean sped-walk through it) to get to the infamous South Congress Street Bridge bats, which I was told by many people were overrated; and I’ll admit they kind of are, but I’m glad I saw them anyway because I would’ve always wondered otherwise. (Hopefully the fam feels the same way and doesn’t resent the walk to see them. I think I made up for it by making sure everyone got to have Texas BBQ that night, while I grabbed a vegan bite from the delicious food truck Arlo’s.)

After that, everyone slept off their food coma, while I caught part of the late night horror-comedy block. As a festival that originally started as a genre festival, horror filmmakers are in high attendance at the fest. So, that was a fun one to attend.

Sunday, we had amazing breakfast tacos (at a vegan-friendly place called Taco Joint), and then spent the rest of the day catching films as we could, here & there, before the awards ceremony. We ended up winning Best Produced Screenplay (and Best Animal Actor; go Cinnamon)! Being nominated in 7 categories was an honor in itself, but we have to admit we’re extremely proud & grateful to have taken home that award.

All in all, the experience was lovely because we all got to spend time together in Austin, as well as share our film with an engaged audience. And I got to meetup with filmmaker friends, both old & new — many of whom I’d only known via social media. The festival itself is run by really kind & fun people who, as filmmakers themselves, clearly care about storytellers and why we do what we do. The festival director, Jim, was so enthusiastic about our film. His affection for the film alone made me really excited to attend the festival and meet everyone. There’s a real family vibe. It had the most filmmaker attendance I think I’ve ever seen at a festival of its size, which is pretty amazing. However, as I said, it was really only filmmakers or friends & family of selected filmmakers at the screenings; and not just ours, all of them. I think that, like in New York where there are top industry festivals and so many things to choose to do on any given night, Austin is too booming of a City for a truly independent festival to hook a non-filmmaker audience. They could definitely get there as they grow each year; but I’m sure it’s incredibly hard to get attention & support with Fantastic Fest happening at the same time and the Austin Film Festival right around the corner (not to mention SXSW in March). All in all, I would say Austin Revolution is excellent for networking with other filmmakers to find friendship & country-wide collaborators, as well as for seeing truly independent films of wide variety without genre discrimination. It’s not ideal for reaching and engaging non-filmmaker audiences, though. I think that’s totally fine; filmmakers should just know what their goals are out of every festival and what they can expect from attending. So, hopefully sharing my experience offers that insight.

In any case, we had a blast. I’d like to thank ARFF for showcasing us and our film, AND for the generous donation they made to the West Texas Donkey Sanctuary in our honor! <3

-Christina

(P.S. Listen to the Austin-based radio interview we did before our trip.)

Local Vegan Treat:

  • Bananarchy, the frozen banana truck (not stand), is AMAZING! They label all vegan options. It’s definitely a must-try if ever in Austin.

Catch the film next at: