About a Donkey at Cambria Film Fest

We're so excited that our feature About a Donkey is an official selection of of Cambria Film Festival in Cambria, California, which runs February 7th through 10th. It’s a festival all about love, which is a great fit for our multigenerational romantic comedy. Christina & Kelsey plan to attend, along with some LA-based cast & crew.


IndieWorks - November Recap

Last Tuesday was the November edition of IndieWorks! We screened 5 films and had 40 people in house. The lineup was a moving & thoughtful mix of documentaries and narrative films exploring larger social issues as well as small personal stories, with a focus on family & childhood. The screening itself went well with a lot of audience engagement. However, the night as a whole was a bit of a mess. Since moving to The Local as our venue in Year 4, we’d say that the bar in front is nearly empty 75% of the time with the few people there typically respectful during the films, but sometimes there ends up being a chatty group at the bar . On most occasions when that happens, we can get them to speak softly while the films play. But, unfortunately, this evening wasn’t one of those occasions. We actually experienced a first for IndieWorks where we had to stop a film and eventually restart it because there was a drunk, misogynist at the bar who talked loudly during the first half of films and then began screaming vulgarities at the bartender. We stepped in to help get him out of the bar. It took 20 minutes to get him to actually leave. Thankfully, no one was hurt and we were able to continue the night with no other disruptions (though his friends stuck around to continue drinking & unfortunately became quite loud towards the end of our event). We’d like to apologize to the filmmakers & audience whose enjoyment of the films and conversations were lessoned by this occurrence. We try our best to create an immersive experience each month, but we don’t have full control of the space. The trade off for getting to keep attendance free while creating a welcoming environment where attendees can mingle between and after the screenings over affordable drinks & a chill atmosphere, is having to sometimes contend with rude people at the bar. (To be honest, as much as we appreciate The Local for their hospitality, large inviting space, and beautiful screen, the ability to create a free but private event and have a bar owner who’s on top of getting rid of belligerent people swiftly & smoothly is something we really miss about our original home The People Lounge & its wonderful owner Heinz.) Nonetheless, the filmmakers and audience did seem to enjoy the evening as a whole, and great conversations were had throughout the night.

We'd like to say thank you to everyone who came out to support the filmmakers and spend the evening with us & them. We do hope you enjoyed the films (despite the noise), as well as the opportunity to network with other filmmakers and film enthusiasts. We know some connections were made! AND we hope you'll join us again for our December screening on 11th! It’ll be a moving & uplifting slate of films that explore overcoming trauma and creating art.

See photos from the evening:

The Films of the night:

The Method (Directed by Michela Monte)
Living in Brooklyn (NYC) has become an act of resistance. The housing market is dominated by money and often ruled by unscrupulous landlords. Families, children and working class New Yorkers are violently pushed out of their affordable homes and made homeless. In South Williamsburg aka « Los Sures » the community has developed his own « Method » to fight back.

Unwelcome (Directed by Ida Theresa Myklebost)
The 2017 short documentary film "Unwelcome" takes an unusual approach in covering the Syrian war by giving the microphone to a six year old refugee boy and letting him narrate the film himself. 

Oatmeal (Directed by Alessia Gatti, Written & Produced by Martha Frances Williams)
A woman struggling to balance her lofty work ambitions has an unexpected reunion with a childhood friend and recovers her lost spark.

The Fifth Date (Written & Directed by Claire Brooks)
A single mother struggles to find a babysitter and takes the risk of inviting her date over after her 3 year old daughter goes to sleep.

The Rocket Ship (Written & Directed by Taishon S Black)
Seven year old Livy has seen her mother (Angie) deal with heart break and sadness too many times over; where in that she feels she has to do something. 

Watch our Q&A Recap. *Please know there are some film spoilers - feel free to look for an opportunity to catch the films at a festival or computer screen near you & then come back to watch!

The awards go to...

At the end of the evening, we announced our winning filmmakers for both Audience Choice Award & Silver Whiskers Award. The Audience Choice Award is voted upon by all those in attendance, and the Silver Whiskers Award is judged by the CongestedCat Team based on a rating system of 8 categories:   StoryDialogue/WritingDirectionActingCinematographySoundEditing, and Production Value, along with a nuanced discussion focused on inclusion and originality. The Silver Whiskers winner goes on to screen again at our end of year Best of Fest screening next April. 

The Silver Whiskers winner also receives $50 towards a crowdfunding campaign on SeedandSpark.com should they use the platform and 50% off 4MileCircus' post-production audio cleaning service for a future project. 

For the November 2018 lineup, our winning films were:
    Audience Choice Award:  "The Rocket Ship"
    Silver Whiskers Award:  "Unwelcome" 

Join us next month for our December edition on the 11th!


YoFiFest Recap

Last weekend was our About a Donkey screening at YoFiFest. It was my first time screening at the festival. I decided to submit because a few filmmaker friends recommended it as a festival with a nice & supportive team, and as one close enough to the City to not be a bad commute, but far enough that it may attract locals in a way that most City festivals have a hard time doing. I figured we’d get a nice sized crowd, since there doesn’t seem to be too much going on in Yonkers regularly, particularly in the arts. Unfortunately, though, that wasn’t the case.

I’ll start with the good. The festival directors were really organized and communicative leading up to the festival. I found them and the overall staff to be nice and welcoming on opening night, where there was a great party with free food samplers from local restaurants and an overall filmmaker-friendly vibe. Opening night had a solid turnout of maybe 100 people (of what seemed like a decent mix of filmmakers and non-filmmaker locals). The 3 shorts that screened and the feature were all well done, and showcased in a nice theater space. Overall, from what I was able to see from the programming, I think they have good taste with a nice mix of true indies and only a couple higher profile invitationals. All of their venues are within walking distance from each other. The Q&As are thoughtful and well-run. And the Fall foliage in Yonkers is definitely a sight to see, which makes visiting the area via a scenic train ride from Grand Central not bad despite there not being too much else to do or see in the general area of where the films screen.

Now for the not so good. Aside from opening night, plus the high profile features with celebrities and the couple local features shot in Yonkers, the attendance was very low. Most features, such as ours, averaged 12 people in the audience, including the filmmakers. Some fared worse than that. And even the shorts blocks; while having 35 to 40 people in the audience is by no means bad, it’s not great when considering the blocks featured 10 to 12 films each. I was surprised because the festival presented itself as having strong recognition in the community; but I attended enough screenings (and inquired about others from other filmmakers) at each venue at varying times of day, and found that, for the most part, it was just filmmakers and friends/family of filmmakers in attendance, with small exceptions here & there.

Our screening was the first full day of the festival, 12pm on Saturday. I wasn’t thrilled with the time because it meant not having much time to build any buzz with locals. And I was skeptical about how many people would go see a movie at that time on a Saturday. However, after our wonderful experience with the Adirondack Film Festival 2 weeks before, I’d realized you never really know what a good timeslot looks like. It all depends on the local community. So yeah, I went in to our screening with mixed feelings. The venue was small but nice; seating about 40 people with a good screen. I hoped it’d be almost full; but by the time it got rolling, we had 5 filmmaker friends in the audience (all there for their own screenings and thankfully came out to see ours first), plus 4 locals, including a man I met the night before who had come from further Upstate and was a friend of the festival directors. I was thankful he was intrigued enough by our title when we spoke at opening night that he chose to come back to Yonkers to see the film. And then it was me and Katherine (plays Ann in the film), plus Ben (plays Burgh in the film), who surprised us along with his brother right before the screening. A total of 13 in the room. As I said about our not-great Buffalo experience, I’m always grateful when anyone chooses to see our film; so it’s awesome that we even had 4 strangers there (and it’s lovely that our friends were interested in seeing our film enough to come to Yonkers early to support). But after our Adirondack experience where over 100 total strangers from the community came out for our film, I couldn’t help but be disappointed by the low turnout. That is until the film started…

A short film screened before ours and I noticed that the dialogue was muffled. I didn’t know if that was just the quality of the film or if there was something off about the speakers. Then our film started and it sounded equally muffled and very bassy. I had an internal freakout (though was suddenly grateful the room wasn’t packed). The tech in back managing the levels didn’t seem concerned, so I wasn’t sure what to do. And the dialogue was kind of just clear enough to hear that I wondered if it was simply the quality of the speakers and not something that could actually be fixed, so I wasn’t sure if I should say something or just accept it as the quality of this venue. But after 5 minutes or so, I couldn’t stand to listen to it like that anymore and left the room. I found the technical director in charge of the venue and talked to him about it. He went in to listen, then came out and definitively said it’s not supposed to sound like that. That was a relief, but also a disappointment because the movie was already underway. The co-festival director Dave showed up and went through the screener files and inspected some stuff in back while the film was still screening, and he eventually came to the conclusion that he had mis-wired the speakers that morning. Dave gave me the choice to pause the movie and have them bring the lights up, try to figure out how to correctly wire the speakers, and then pick it up where it left off. But at that point, the movie was nearly 40 minutes in. I felt that, if by chance people were actually engrossed in the film despite the audio, it didn’t feel worth it to interrupt it and go through that hassle, especially if there’s no guarantee they’d be able to rewire it correctly. So, we just let it play out. I sat in the hall cringing and then eventually went back in the room for the very end. I can’t speak to how the film was received during the screening. But Katherine said there were still a decent amount of laughs because the dialogue was overall understandable, just very hollow sounding (though there was apparently one key scene where overly bassy music combined with the muffle made the dialogue nearly impossible to hear). I guess I’m grateful I didn’t hear it and can choose to believe others’ comments about it being “really not that bad.”

All that said, no one walked out of the movie, which is either a testament to the politeness of this group of people or maybe the overall enjoyment of the characters and story. To be honest, I’d probably have to walk out of a dialogue-driven film that sounded like that, even if I liked aspects of it. I just found it painful to sit through, not only because I knew my movie doesn’t/shouldn’t sound that way, but the heavy bass was truly hard on the ears. Despite that, to my surprise, people seemed to genuinely enjoy the movie. Filmmaker friends came over after the Q&A to compliment the production design and color scheme (I share that compliment with DP Peter Westervelt & Art Director Nicole Solomon), the authenticity of the family — both from a visual perspective as well as acting & chemistry, and the overall way the ensemble stories were weaved seamlessly together. People called it sweet and charming, and a really fun and relatable family dramedy. The locals in the room had great inquiries and thoughts during the Q&A, which can be watched below. Getting to speak with them made me feel a bit better.

After the screening, the technical director was able to rewire and fix the speakers. I’m glad I was able to save other filmmakers from my experience (my friend’s feature in the same room the next day sounded great), but I wish they had done a tech test after they set up the room that morning before jumping into the day. I’d be lying if I said I wasn’t annoyed & disappointed that that wasn’t done … and that no one seemed to notice during the 2 hour block that happened in the room before my screening.

Patty, the festival director, was really apologetic. I can tell she works hard to run a smooth ship, and she was really frustrated that such a major ball was dropped. She tried to make it up to us by offering us another screening. I appreciated it but ultimately turned it down because the only people we knew attending the fest had already experienced it at the first screening, and, considering the turnouts overall, I didn’t have faith in the festival attracting any locals with a last minute screening. I figured I’d just end up sitting alone in an empty room whereas a local filmmaker with friends & family in Yonkers would probably appreciate the extra slot far more.

All in all, I like the people who run the festival despite their mess up (tech issues happen with such a big operation sometimes, I get it), and I really enjoyed the conversation with & reactions from the few locals at our screening. And, ultimately, I had a really good time at the festival because it gave me a reason to spend a bunch of time with Katherine, who’s just such a great person and movie-viewing partner (though that’s really more to the credit of our friendship than YoFiFest specifically), and get to see Ben and meet his brother (though only briefly, unfortunately). But, aside from those pros, I don’t think the festival has too much to offer someone not from Yonkers. Without local community engagement, I feel I essentially reach the same people (filmmakers) I’d reach at closer festivals in the City; and I can get the upper NY Fall foliage fix from the Adirondack Film Festival (along with all the other perks that that festival offers). So YoFi doesn’t make my personal list of top festivals worth attending. But maybe, as they continue to grow and gain a foothold in the community, it could be worth it a few years from now.


Local Vegan Treat:

  • Yonkers is not vegan friendly (another con). This is the first time I have nothing to report.

Catch the film next at:

  • We have a January screening in Montana & a February screening in California, but we can’t announce those festivals yet. Stay tuned!