Catching Up on Summit, One Year Later

Today is the one year anniversary of what was the last day of principal photography for Summit. We ended up wrapping just after 6am on February 2, 2013.

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The very last shot of production


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During the past 2 weeks, the anniversary of production, I decided that I would write a kind of director's journal reflecting on the experience of making my first feature. I had planned to write about each day on set, from my perspective, and share each post on its pertaining day's anniversary. But I ended up writing more than I expected and sharing more about how I felt than I originally intended. It turned out to be quite a cathartic experience and I ended up chronicling 15 days in over 35 single spaced pages. So I've decided that I will still share it but not as daily blog posts, as originally intended; rather as one concise story, "Shooting Summit," that I will release as a PDF for download on the Summit and CongestedCat sites at a later date. I hope that it will be helpful to other no-budget filmmakers making their first features, and maybe act as a “you're not alone” piece for other filmmakers who have first feature 'horror stories' of their own. I also hope it offers an interesting look behind the scenes for fans anticipating the film and all the people that first supported us when we began pre-production and crowd funded the film in 2012.                                                            

The 16 days spent in Massachusetts making the film were the most stressful & exhausting but also most rewarding & productive days of my life. I cannot be more grateful to those who supported the film in pre-production, but especially to my crew & cast who stood by the project in the worst of conditions and helped me turn a dream into reality. I could not have done it without you. Thank you all again. 

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As an update on the progress of the film as a whole, there were a few exteriors of the car driving on snowy roads that we never got because of time constraints and the loss of snow at the tail end of production. So, John (my DP), Peter (1st AC), Andrew (I'll call him a PA but he wore a hell of a lot of important hats on set), and I drove back up to Canaan, NY last Saturday (January 25th) to get those shots. It was freezing and brought back some of the trying memories of the year before. Our bodies remembered this cold; it all came rushing back. It was pretty brutal. However, it was still a successful and fun day, full of unexpected surprises; just like last year. 

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We had run-ins with the local police twice, though surprisingly not when we climbed up on a billboard to get this shot.

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One of the run-ins involved getting pulled over on the Taconic Parkway. The police officers were doing this good cop, bad cop routine but eventually decided not to give us a ticket. As it turns out, one of them has a son who wants to be a filmmaker, and the good cop spent a lot of time asking about cameras and editing software. Then he asked for my business card, and wished us luck. (I would be remiss if I didn’t mention that this encounter was peak privilege that I have and probably would’ve played out very differently if the 3 men in the car with me were not white.)

The day felt a little bitter sweet because it was exactly the kind of day I wish we had everyday last year; overcast and snowy. The new footage ultimately works really well for filling in the moments that I want in the film but also accentuates, in my eyes, what we could have had but did not for certain scenes last year. Regardless though, I am grateful that we managed to have snow on the ground for all exterior scenes of the film and that, in the end, everything did work out. 

I'm proud of the film and the fact that we managed to make it on nothing but a shoestring and a dream. I'm excited that it is in its final stage, which includes color correction, sound mixing and scoring; and I cannot wait to share it with you. Unfortunately, we have a long road of festival submissions and replies ahead of us, which will likely include many rejections but hopefully some great acceptances. In the meantime, we've got our official teaser premiering in less than 2 weeks, a new website coming in April, some fun behind the scenes videos with the cast coming in May, and before you know it, the film will be fully accessible to you. 

Thank you again for all your support in the making of this film!

Christina

#StrictlyIndie Film Views: "Drinking Buddies"

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In Joe Swanberg's Drinking Buddies, there are many aspects that can enable you to view the Romantic Comedy genre in a different light; but the film is ultimately a few puzzle pieces short of showing us the big picture.

Kate (Olivia Wilde) and Luke (Jake Johnson) are co-workers and good friends.... almost too good of friends. Kate is about eight months into a relationship with Chris (Ron Livingston), and they seem to have little in common with each other. 

Luke is six years deep into a committed relationship with Jill (Anna Kendrick), who seems to really love Luke but has doubts about Luke's commitment to tying the knot. After the four friends have an interesting stay at  Chris' vacation cabin, the dynamics shift, and Kate and Luke's relationship is tested again and again as the story moves along. The line between friendship and apparent inappropriateness becomes blurry, especially after a couple drinks.

One of the facets of Drinking Buddies that drives the story so strongly is the revealing of information. There are moments that are almost always shown in typical romantic comedies that Swanberg chooses to deprive the audience of. This will keep you anxious and involved as the story unravels. He also chooses to break the character tropes and resolution that has grown so tiresome in the genre. This film is not about two great friends who have unattached or shitty significant others and somehow finally come to the conclusion that their soul mate has been right under their noses the whole time. Aww. Yeah, no. It is rather an exploration of modern relationships and the boundaries that can be pushed between heterosexual friends of the opposite sex. 

*** SPOILERS***

Despite all the revitalizing aspects of this heartfelt hipster-romance, Luke and Kate's inappropriate relationship is never really addressed, and my feelings after the credits rolled lied somewhere between refreshing and pointless. Yet, still, the outstanding performances make it easier to roll with.

Drinking Buddies is currently streaming on Netfilx. 

 

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Review by Ryan Kramer

"House Near The End of The Street" Screened & Other Fest News

This past weekend, our Contest Submission "House Near The End of the Street," which ended up making the Top 10 Finalists in said contest, screened at the Macabre Faire Film Festival. It was like a mini Comic Con with hundreds of Horror Fans in attendance. Christina & Ryan had a blast meeting the audience and hearing their positive feedback on the short. 

The film also screened at the NJ HorrorFest last year. Unfortunately, we could not attend that one. But we hear it was received well. 

 

We will not be submitting the film to the any additional festivals. So feel free to watch it on our site at any time. Like this short and "Come Here Often?," our other short "S.K.A." will not be screening at any future festivals after making Official Selection at the 2013 Dark Comedy Festival, 2013 Faux Film Festival, 2013 Laugh or Die Fest & being invited to screen at the 2013 Katra Film Series. 

You can also watch the film on our site:

 

Our main festival submissions/screenings for the new year will predominately be focused on Summit, but also on Christina's new short "Juice It," "Ryan's upcoming short "Fed Up," and a few other short films we have slated for production over the summer. As always, we'll keep you updated.