"Juice It" Online Premiere

Today we finally premiere Christina's short "Juice It," online for the world to see. Shot back in August 2013, after Summit (January) and 'Kelsey' (May-July), on less than $500, made possible thanks to many of our favorite people, we present Christina's absurd take on the true story of she and Justin (her fiancé) attempting a juice cleanse. 

Christina has recapped all of its festival screenings (that she's attended). First back in September at the Coney Island Film Festival, then in March at the Queens World Film Festival, and most recently in May at the Damn! Film Series

NYC PictureStart Film Festival "We Had Plans" Recap

Two weeks ago we had the world premiere of one of our new short films, "We Had Plans," at the 19th NYC PictureStart Film Festival. As a filmmaker who tends to stick to more comedy & genre films, I was a little anxious about what the audience reaction would be to more of an intimate drama. It was my first time directing something so small in scale, but rich in nuance & emotion. I suppose I'm used to being able to judge how the audience feels about one of my films because of the laughter that fills the room or sharp gasps from the crowd, so this was a new experience for me as a filmmaker.

In a small space, there was a nice turnout of at least 40 people. We screened in a lineup of 7 films. All the others in this particular lineup were so strong, in production value, performance and, most importantly, story. I was blown away by the films and have since gone on to like their pages & reach out to the filmmakers that I did not meet personally via social media. Kelsey & I are incredibly proud to have screened amongst such lovely shorts. (I will say though that while we loved the other films, it was disappointing to be literally the only female filmmakers in the bunch.) In terms of our film though, we were very noticeably the shortest short, and the only one to take place in a single room between two people (notably women) having a heated discussion. I wondered how the audience would feel, especially considering we followed a whimsical, landscape-heavy piece (with a gorgeous aesthetic, I might add). As it turns out though, people were engrossed in our film! I could feel it in the room that, while our brief runtime may have surprised people, it no less enamored them. Kelsey heard one audience member in front of us whisper to his companion, "I liked that one," as our credits hit the screen. 

After the screening, we were only able to chat with a few people, but we got some wonderfully surprising feedback. One audience member I had previously met at the Queens World Film Festival, who coincidentally ended up at this screening, said he loved it and that he was on the edge of his seat just as the film cut out, leaving him wanting more. Wanting more was a frequent comment from the audience. Another filmmaker from the lineup, whose film was just beautiful, said to me that he truly loved our film (when I went over with the intention of telling him how much I loved his). He said that he's been wanting to make a film in one space, but has found it difficult to execute. He said to be able to pull that off and take people on a journey with characters and tell a story in such a short time in such a confined space is a real accomplishment and we did that for him. He was "swept up by it." His words were clearly not just flattery, as he had no need to give such raw feedback, and I was utterly shocked and grateful to hear such a lovely assessment. (I wish my feedback for him was as eloquent, but I was so overwhelmed by what he said to me that I just kept using the word love in relation to all aspects of his film.) His friend, who is not a filmmaker, also chose to say something to me before I walked away and said that she loved the film too, and that it felt like watching someone trying to express themselves, and instead just making you feel it. And she emphasized that she "felt it." That was such a wonderfully odd bit of feedback that I really appreciated because I think it's a compliment to all of us, from Kelsey's writing (who was very much putting herself on paper in a vulnerable way), to the actors giving breathtaking performances, to my collaborations with Peter, our DP, and Jordan, our editor, to bring it all together in an intimate and sincere way. (And of course, we did not do it alone, we had an amazing crew of people who all added their personal touches to the film, making it work in many subtle ways). 

Anyway, we ended that night feeling pretty great. So far, the film has been rejected at two other festivals (ones I knew were long shots, but I crossed my fingers for anyway). We're waiting to hear back from about 4 more. Hopefully we'll be able to share this short with more audiences before we put it on Vimeo next year. In the meantime, enjoy photos of us at the NYC PictureStart Film Festival below.  

Photo credit: Mark Jude (pulled from NYC PictureStart's social media). Additional photos from the festival overall found on Facebook

IndieWorks: June 2015 (Start of Year 3) Recap

Last Wednesday was the June edition of IndieWorks, our first of Year 3! We ended up only screening 5 films instead of our usual 6 because a filmmaker couldn't make it and, since our series is largely about community building, it didn't make sense to screen the film without a representative. But even so, we had an excellent lineup of films and a packed house with over 60 people, including an audience that really seemed to engage with the films and filmmakers. 

We'd just like to say thank you to everyone who came out to support the filmmakers and spend the evening with us. We hope you enjoyed all the films and the opportunity to network with other filmmakers and film enthusiasts, and overall had as much fun as we did!

See photos from the evening:

Photos by our friend & photographer Alyssa Meadows.

The films of the night:

The Way You Love (Directed by Lydia Darly)
A short about unconditional love and forgiveness of the past in order to be free. 

Tadaima (Directed by Robin D'Oench)
After the closure of the US Internment Camps at the end of World War II, a Japanese American family returns home and must find the strength to rebuild both their house and family amidst the emotional and physical destruction caused by the war.

In Loving Memory of Uncle Harold (Directed by Lily van Leeuwen)
At a reunion Winnie tries to bring her estranged family members closer together by playing a family game 

Places (Directed by Adam Taylor)
A short film about the complication of flirting.

Rolling ( Directed by Adam Volerich)
A teenage couple celebrates their last night together with an evening of drugs and music, but when the party ends before the drugs wear off they find themselves wandering the suburbs with nothing to do.

The awards go to...

At the end of the evening, we announced our winning filmmakers for both Audience Choice Award & Silver Whiskers Award. The Audience Choice Award is voted upon by all those in attendance, and the Silver Whiskers Award is judged by the CongestedCat Team based on a system rating 8 categories of Story, Dialogue/Writing, Direction, Acting, Cinematography, Sound, Editing, and Production Value. It goes on to screen at our end of year Best of Fest event in April! 

The Silver Whiskers winner also receives $50 towards a crowdfunding campaign on SeedandSpark.com should they use the platform, and both winners received a free 2015 subscription to Bright Ideas Magazine and have the opportunity to be interviewed for our Insider Series

For the June 2015 lineup, our winning filmmakers were:
    Audience Choice Award:  "Rolling"
    Silver Whiskers Award:  "Tadaima"

See the trailers of both films below:

Get Your Tickets for the World Premiere of Summit!

June is upon us, which means the Summit World Premiere at the Manhattan Film Festival is just 2.5 weeks away! If you need a reason to purchase your ticket(s) to the screening on the 18th at 7pm, I'll give you five:

1. It's an entertaining & interesting movie, both as a genre film & a drama, with a lot of nuance to just sit back & enjoy or analyze the crap out of.
2. My team & I have spent over 3 years working on it, during ridiculously long hours, in extreme weather conditions, on no pay, just to bring the film to fruition. That kind of hard work & dedication deserve an audience.
3. It was the biggest learning experience for me as a filmmaker, and if you've been following my career and particularly the saga of Shooting Summit, you can't miss the final product of it all. If you're an indie filmmaker who hasn't made a feature yet in particular, I think it's a great opportunity to learn from my mistakes.
4. Although it's hard for me to avoid only seeing the flaws after 2 years of post-production, it's a project I'm incredibly proud of and one I really want to share with you. It has some of my favorite moments on screen as a director and you won't want to miss those. (Plus it's not all about me; there's a lot of talent on that screen that I cannot take credit for & deserves attention in its own right.)
5. The Manhattan Film Festival is unique in its revenue sharing option, where it allows filmmakers to profit 50% of the ticket sales they sell directly. So not only would you get to finally watch this film and support the work of the people whose literal blood, sweat & tears went into making it, but you'd also be helping me earn back the almost $10,000 (via credit cards & loans) I personally put into the film; and you'd be supporting the sustainability of indie film as not just art, but an actual profitable career.

Thank you to everyone who buys a ticket & spreads the word, and thank you to my team! Purchase Tickets: http://independentfeatures.com/view-screening/693 

-Christina