"About a Donkey" 1st Scene Shoot Recap

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Kelsey & I (Christina) spent most of 2016 in pre-production for our feature film About a Donkey; and we made it a point to keep our audience updated on all our progress, from sharing videos about why we want to make the film to introductions to the characters with each casting announcement. Last weekend that work and progress resulted in the first execution of bringing this passion project to life. 

On Saturday, the entire cast (even two via videochat) and much of the key crew met up for our first reading of the full script. It was so much fun getting to bring our new extended film family together to bond and collaborate. Hearing the whole script from such brilliant performers over 4 years after Kelsey shared the first draft of it with me was really rewarding and exciting. We cannot wait to work and create with all these wonderful people. 

We're planning to crowdfund the film from February 1st through March 3rd, then jump into production on March 10th. We decided the best way to involve our audience, show them what we're capable of and give them a taste of what this film can be would be to actually devote a day to shooting the first scene of the film (12 pages!) and release a section of it as part of our Seed&Spark pitch video. So that's what we did on Sunday. I will talk more about how that went and how we pulled it off when our campaign launches next month, but know that it was a huge success thanks to our talented and dedicated crew and cast (and my amazingly supportive family). We know now more than ever that this project is something special. We look forward to bringing you along on this journey!

See a few raw stills from what we shot below!

And click through behind the scenes photos from the shoot!

Be sure to mark your calendars for February 1st at 12:30pm EST. Our campaign will not only reveal the opening scene and explain why this film is so important & worth getting behind, but will also offer a sneak peek at Saturday's read-through and a variety of exclusive incentives for your contribution(s)! Bookmark this link: www.seedandspark.com/fund/about-a-donkey. It's coming soon!

WHAT IS ABOUT A DONKEY?

About a Donkey is about growing up & growing old, and finding love & laughter along the way. The film follows the Owens family: Ann & Tim, their 3 adult children, Cecilia, Burgh, and Annie (and her husband Paul), and matriarch Farrah. When Tim brings home a donkey in a mixture of wanting to rescue both it and himself, things are shaken up in each of the characters' lives.

The films quirky but relatable nature has been referred to as a little Little Miss Sunshine meets Gilmore Girls, but with a donkey and a strong focus on inclusivity (both in front of and behind the camera)! We're strong believers in being the change -- reflecting the world as we want to see it. With this film, our mission is to combat hate with humor and heart.

In our film, love is love, people's lives and desires are relevant no matter their age, and struggling with depression is acceptable and normal.

Artists in Action Forum Recap

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After the recent Presidential election, I (Christina) was feeling a need to take action and contextualize my role as an artist in the coming battle against the normalization of hate in our country. I decided the best thing I could do right now would be to use my reach as a leader in the NY film community to create a space where local artists could get together face to face and really brainstorm ways we can use our individual and collective voices to make a difference. I reached out to Nicole Solomon and Sean Mannion of 4MileCircus about this idea, and they really brought it to life - helping organize the event itself and lend their voices to getting the conversation started. Ultimately, we wanted to create an organized but open forum for any artists to share their ideas and offer opportunities to collaborate for the cause.

Overall, we discussed the importance of representation and creating space for marginalized individuals to tell their own stories. We touched on making public commitments to inclusivity and holding each other accountable. For instance, in terms of freelancing, we discussed the power of saying no and of asking questions, and having expectations out of collaborators. That discussion largely revolved around defining your own line -- setting a personal standard and being transparent about that. There was discussion of union organizing, like if Trump were to be on the Jimmy Fallon show again, if the camera crew refused to work, that episode wouldn't happen. That branched off into exploring how we can use our collective power in big and small ways. And we ended talking quite a bit about various outreach opportunities going on.

Below is a video recap of some of the conversation. It was two hours that we turned into 12 minutes. We want to offer a look into what was discussed but also highlight the importance of being in the room and actually showing up, so we won't be releasing the full video.

We'd like to thank everyone who was able to make it and participate in the discussion. We tried to include a snippet from everyone who spoke. Unfortunately, two people weren't caught on camera due to our camera cutting out. We apologize to them. One person who is a union member discussed the importance of who you hire in your crew and making hard commitments to have diverse team members who can rise in their department. Another person spoke about partnering with organizations on an educational level. An example that came up was IndieWorks alum, Foster Care Film project.

Shout-out to CongestedCat team members Kelsey & Ryan for shooting the video and taking notes, and collaborator Kimberly Drew Whiten for editing it. And thank you again to everyone who's taking part in this fight.

If anyone who couldn't make it would like to be added to the listserv for updates about future gatherings or relevant projects that attendees are working on, please send us a message.

BTS of New Short "Arm Bar"

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Last night we wrapped production on my new short film, "Arm Bar."

Logline: A young, aspiring MMA fighter visits her local boxing gym to settle a dispute with the owner.

The screenplay for "Arm Bar" came to fruition in the first few months of our CongestedCat writing group. Christina Raia, Kelsey Rauber, and I, had all been talking about how we wanted to meet once a week to keep the creative, right side of our brain's in motion. I knew I wanted to move into pre-production on a new short, but I didn't know which would be the right script to move forward with. I initially wanted to tackle one of my other short stories, "Magic Mountain," with DoP Peter Westervelt, but it proved to be a bit too ambitious for the time. After Christina and Kelsey gave me their thoughts on Arm Bar, I knew it was the one. I was soon after introduced to Jeanette Sears at one of our IndieWorks events and knew she would be a great fit to DP the film. I loved the fact that we had representation and inclusivity not only in front of, but behind the camera as well.

Christina expressed her interest in producing the project and we immediately moved into pre-production, which proved to be a lot to take on. At first, the plan was to crowdfund on Seed&Spark, but after talking with Christina, we decided it'd be best to fund this one out-of-pocket. She helped me solidify the budget and we realized it would be attainable. Still, we made the decision to shoot promotional and behind the scenes videos to draw some attention to the project before moving into principal photography. You can watch the promo here: 

 

Casting the project was a bumpy road, but when I auditioned Latresa Baker is when it all really started to come together. She walked into that room prepared and ready to take the role that was rightfully hers. The training process was one one of the aspects of pre-pro that I was most scared about. We bounced around from class, to individual trainer, to fight choreographer, and I was worried that all the different types of blocking and direction would make it more confusing than helpful. In the end, Latresa absorbed all the information like a sponge and we created a simple, cohesive, and hopefully exciting fight that I can't wait to share with you all.

In hindsight, everything about this project was almost just as ambitious as Magic Mountain. FedUp was the last short I directed over two years ago... a six-and-a-half minute short in my apartment with a small cast and crew. Arm Bar is a fifteen page screenplay that takes place in a boxing gym with a decent-sized supporting cast, extras, and fight scene choreography. It was a lot to take on, but with the help of Christina, Jeanette, AD Matt Gershowitz, and the rest of the amazing cast and crew that I am so grateful to have had the opportunity to work with... we did it.

Check out some raw stills from what we shot below:

See BTS photos from the day:

I really can't thank my cast and crew enough. They were all my rock, and helped me keep it together in the production's most heightened points of anxiety. Can't wait to collaborate with these wonderful people again in the future.

Some of the cast and crew after we wrapped production on the film.

Some of the cast and crew after we wrapped production on the film.

-Ryan